Thursday, March 22, 2018
Mads Madsen of Denmark, spend hours, days, and weeks colorizing historical photographs so that others can appreciate and feel closer to the subjects.
This picture of Abraham Lincoln, taken when he was elected in 1860 but before he acquired his famous beard, is one example.
(That link at Madsen's name will take you to an Atlas Obscura article about him and other artists, and about their Reddit page.)
Here is a six-minute Vox video about more artists and the incredible amount of time and research that goes into colorizing old photos.
And if this and other things historical interests you, maybe you'd like to subscribe to my newsletter, The Triweekly Report. Three of the most fascinating history stories I find, sent out every three weeks. Fill in your name and email in the form to the right if you want to try it out (you can unsubscribe if you don't like it ... but you'll love it).
Friday, March 16, 2018
Sheets was the artist behind the beautiful mosaics and murals on Home Savings Branches, once the largest chain of savings & loan banks in the US.
The ultimate book has appeared about both: Banking on Beauty, by Professor Adam Arenson. It's a big, heavy, coffee table reference that was just published by the University of Texas Press.
Inside the book, you'll find everything you could ever hope to know about all the design and art of the Home Savings and Loan branches: original drawings, dates, contractors, artists, concepts, more. It's a great reference, and I'm amazed, with all the artwork, that the price is only $45. Well worth it.
Last Wednesday, the Marciano Art Foundation hosted Profession Arenson and Laura MacDonald in a building designed by Sheets almost 60 years ago: the former Scottish Rite Masonic Temple on Wilshire Blvd, in the Windsor Square neighborhood. Thank you, Flo Selfman, for letting me know about this, and making reservations!
These pictures show a couple of the mosaics over the side entrance of the building. Masonic symbols, all. Laura MacDonald talked about the history of Freemasonry as it relates to architecture, and how the Scottish Rite Masonic Temple reflected the principles of the order.
After that, Professor Arenson talked specifically about Millard Sheets, about some of the myths and the complicated history of his design studio. All in brief, of course, because time was limited. The building was closing only 15 minutes after the talk, giving folks barely enough time to buy their books and get them signed.
Oh, and Tony Sheets, son of Millard, was also on hand to give support.
Adam Arenson has been working on this project for ten years now. I am so glad to see it published!
Was not able to take any notes during the talk, which was accompanied by lots of slides and photographs, but one thing that I remember is this: The Home Savings and Loan buildings where big, square, solid edifices with artwork, always. Like the Beverly Hills branch, (links go to my blog posts and pictures). The BH branch opened in 1956, and is the oldest surviving Home Savings and Loan Building. Big, square, solid.
After Howard Ahmanson died, though, his sons took over the business, and they were willing to vary the design a little. That's why some of the later branches, like Santa Monica's - which is now a New Balance Shoes store. This branch is not square--it has "wings" spreading out from the front entrance.
There are amazing mosaics at The Marciano Art Foundation, as well, done by Sheets and by Susan Hertel. I've written about Susan Hertel before too, especially about the lovely birds in the mosaics at the Redondo Beach Wells Fargo (which started life as a temporary, prefabricated Home Savings and Loan).
I learned the other night that Hertel kept a bunch of pets at Millard Sheets Designs in Claremont, and those pets were the models for her very graceful artwork.
A mosaic on the third floor of the building, sadly hidden by interior walls and impossible to photograph, has some of Susan Hertel's animals, including this fellow. I could not photograph the whole mosaic, because of that stupid wall. LA Weekly, where I found the photo below, also questioned the wisdom of hiding the mosaic behind a wall the room used to be a dining hall, with the mosaic in full view.
Finally, here is a photo of the outside mosaic by Sheets, shamelessly copied from a Curbed LA post. The photo was taken by Elizabeth Daniels. The mosaic is on the east side of the building and shows the history of temple-building.
Friday, March 9, 2018
I just learned that the town hit by a tornado in the 5th season of The West Wing (episode "Disaster Relief") was actually represented by my home town, San Pedro. 7th Street and Centre Street, to be exact.
Of course, lots of special CGI effects were added, but yup, that's us. The "Glenn R. Th" that you see to the right is actually the old Liberty Auditorium, which is now being refurbed and opening as the Port Town Brewery.
The Brewery is not open yet; their Facebook page shows pictures of the construction and progress being made. Below is a picture of the building when it's not been ravaged by a TV-land tornado.
The Liberty Auditorium was a dance hall built in 1918. Apparently it was a garage for a few decades too, but at the time the TV episode was filmed, it had been vacant for several years.
Right next door, with the Wiley Feeds sign, is All O Fit, a gym, and next to that a law office. It had a torn up awning in the show.
I understand the street scene, with upended trees and cars and debris strewn everywhere, stayed unpassable for close to three weeks while the show filmed.
Below on the left, you see the back of what is now the Crowne Plaza that faces 5th Street. Beyond that is the 7-story Municipal Building that had a jail on the top for many years.
Across the street from this devastation was a vacant lot. It's vacant no more. The San Pedro Bank Lofts went up there about ten years ago. But the vacant lot made it easy to film, I'm sure.
Go, President Bartlet, go. Lead us!
Behind the president and crew, above and to the right, are two more old, three-story buildings that are also gentrified lofts now, the LaSalle Lofts. These are all lovely, interesting, historic places to live in an area full of artists, but residents must deal with homeless folks on the street - something they probably didn't plan on a few years ago when they bought their lofts.
People have been telling me to watch The West Wing for years. I finally started, and now I'm hooked. I want this alternate history. With the real news that's on TV today, The West Wing has become my happy place.
Sadly, I have only one more season to go. But my plan is to start on Mad Men next.
Friday, March 24, 2017
I've written about the mosaic walls at LAX before, but tonight I'll point you to an article in DesignObserver about Janet Bennett, who claims to have designed those mosaics. I hope enough people will pay attention to make it official.
As far as I know, Janet's boss in 1960 (when she worked for Periera and Luckman, the architects of the Los Angeles International Airport) never claimed credit for the mosaic walls. After he died, however, they became part of his legacy as the designer of the airport's interior - rightly or wrongly. Janet Bennett, who left Los Angeles for other projects before the mosaics were installed, says she designed them, and the fact that a fresh-out-of-school young female artist didn't get proper credit in 1960 probably surprises no one.
The Cat & Fiddle in Hollywood is gone, and the new tenants want to return it to its former days. Before it was a British-style pub, the restaurant with the huge patio was the Mary Helen Tea Room with an enchanted garden. In fact, that's how it started life in 1927, during Prohibition. A bit of its history is here, in posts from the Hollywood Gastronomical Haunts blog.
Ever hear of Virginia Van Upp? She was a screenwriter and became Hollywood's first female executive producer in 1944. Great success, and then a big, slow, fall from the heights. This piece in Hazlit.net by Christina Newland goes as in depth as possible into Van Upp's career, but leaves a lot of questions.
Finally, here's a link to Zocalo Public Square's short article on a newly donated group of photographs of Los Angeles and Santa Monica. The collection of over 4,000 pictures came from Ernest Marquez, and was donated to the Huntington Library. This one shows the Arcadia Hotel in the background, while Victorian daredevils ride a roller coaster not far from the shore in Santa Monica in the 1880s.
Saturday, March 4, 2017
Two wonderful essays about Los Angeles that must be shared:
The first appeared in the March 3 Los Angeles Times. Under the guise of talking about the upcoming local election, Thomas Curwen gives us a summation of how Los Angeles has grown over decades and what that growth means to those who live here, and those who want to live here.
I love this line:
Chicago was lucky. San Francisco was lucky. One had a fire, the other an earthquake, each triggering a makeover, allowing each city to rethink its layout and identity.
Dang. We haven't been blessed enough to be destroyed and given the opportunity to rebuild.
Ed Ruscha remembers moving to LA in 1956 and having a neighbor tell him that around 1942, the place was paradise. Paradise!
Find an old man today, and you'll probably hear that in 1980 this place was paradise, says Ruscha. He's so right.
Curwen goes into the tunnel of the Hall of Administration to find records going back a century, showing how neighborhoods were laid out and prized properties designed back then. Los Angeles, where everyone had cars, could afford space for homes with yards, hundreds of them. Thousands of them.
But ... hundreds of thousands of them? Eventually, we hit a limit.
The second story is called "Inside LA STAGE History: Edwin Booth and Child's Grand Opera House," and takes us all the way back to Gold Rush Days and a teenaged Edwin Booth. Who becomes an adult Edwin Booth and saves Robert Lincoln, the son of the president that Booth's brother will assassinate a year later, from falling off a train platform.
Yes, this story is full of exactly the sort of digressions that I love.
But it's mostly about Los Angeles' opera house. This picture was taken shortly before the structure on Main Street was demolished in 1936.
Monday, December 19, 2016
I should have known: good articles always show up in threes or more. Should have held off on yesterday's post a day, because now I have something to add to it: an opinion piece fro David L. Ulin that appeared in the December 19 LA Times: "What Lies Beneath L.A."
It's all about the thin veneer of metropolis we trust so heavily in, and the fractured, tarry landscape beneath.
The Times ran a picture of the LaBrea Tar Pits diorama in front of the Page Museum, but I prefer this picture "borrowed" from another blog that shows tar seeping up through a sidewalk on Wilshire. This may be the very seep that Ulin mentions several times in his essay. I think it's a better illustration of the tar today (mammoths are nice and all but can we really relate to one being stuck in goo?) and the reminder of what's really beneath the solid ground on which we place our trusting feet.
The picture comes from a 2015 blog post by Geoff Manaugh. Actually his BLDGBLOG post is a reprint of a post he'd written for The Daily Beast, and goes into the same topics Ulin addressed, with even more details: the 1989 methane gas explosion that took out a dress store on a strip mall, also the fault of the tar pits beneath. The temporary nature of our structures compared to the forces of nature underlying them. How we've taught ourselves to ignore all this.
Both are fine reading, especially if you need a break from Modern Life.
Sunday, December 18, 2016
First, here are 25 Los Angeles area restaurants that happen to be over fifty years old. Some old favorites, of course, but also a few--like Cielito Lindo--I had not heard of or visited. You?
Second, seen this iconic photo from 1960? The Case Study House No. 22?
Los Angeles Magazine goes in-depth on its importance, with interviews with the architect (Pierre Koenig) and builders, the models in the photo, the owners of the home, and the photographer, Julius Shulman, who took this shot on May 9, 1960.
Wednesday, December 7, 2016
This is for the dazzled kid in us. Los Angeles Magazine has put up a Google Map graphic of the Southland -- and yes, you can move around and zoom in on your part of town -- that lets you see the growth and change since 1984. It's great fun.
No street names, though.
Another recommended read is much more sobering: The Los Angeles Times published a haunting photo essay about visiting Tule Lake, one of the camps where people of Japanese descent were forced to live during most of World War 2. Fact: 62% of the 110,000 + people who lost homes and jobs and were forced into internment camps were American citizens.
The article shows other sites in California that are connected with racism over the years. For more info on the Internment of Japanese Americans, this is one instance where Wikipedia is a good place to start.
Saturday, October 8, 2016
A selection of great articles on LA history came up. And while this blog is largely inactive, why not share?
The first four cemeteries in Los Angeles, going back to the 18th century: Where were they, what became of them, and what happened to the bodies? From LACurbed.
The NEW YORK Times has, over the last year or two, posted a lot of Very Good Stories about Los Angeles. I suspect ulterior motives, but I enjoy the articles anyway. This one is a tour of Los Angeles's Art Deco Buildings.
Since today is the 40th anniversary of the dedication of the Korean Friendship Bell in San Pedro, NBC posted a collection of photos of the Bell and park, including one of a couple making out in the foreground.
Not limited to Los Angeles, but did you know that this ubiquitous take out container was invented in the 19th century and had nothing to do with Chinese food?
Monday, June 27, 2016
In 2013, KCET celebrated the June 24th birthday of artist Millard Sheets by listing ten of his best-known, best-loved pieces of public art. They weren't all in California.
Which gives me a great excuse to show this picture of Touchdown Jesus at Notre Dame in Indiana.this article gives a pretty detailed history of how it came to be.
Back to KCET's celebratory piece by Ed Fuentes.
The list includes the Millard Sheets Studio, now an optometrist's office in Claremont, the Beverly Hills branch of Home Savings and Loan, which was not the first collaboration with Howard Ahmenson. But it is the earliest example of Sheets' work for Ahmenson that's still standing.
There are installations in Detroit, in Lubbock, TX, San Francisco, and Washington DC. Home S&L banks in the OC as well as the beautiful Hollywood branch.
Counting down to #1: What do you think? Since KCET is local, they named "Your Local Artwork" as the Number One site, and ran this picture of a mosaic in Riverside. The photo is by Bebe Kropko:
Happy 109th birthday, slightly belated.